Family Worship Center Calls Listeners Forth with "Garden Grow"
Family Worship Center's new single "Garden Grow" is an ode to breaking generational curses and finding love and light within the darkness.
I've had my fair share of run-ins with cult-like establishments and actively avoid them. However, when I first heard of Family Worship Center, I was ready to join. They tease that are a "probably" a cult.
Dubbed by KEXP's Troy Nelson as the "best live band I've heard in years," the Portland-based Family Worship Center plans to lead you to salvation—whatever their version may be. Their latest single, "Garden Grow," is an ode to breaking generational curses and finding love and light within the darkness.
Following "Malibu by Midnight," "Garden Grow" is the second single from the band's upcoming LP, Only Visiting. "Malibu by Midnight" is a neon-soaked drive through Los Angeles, while "Garden Grow" is a pit stop at a church along the way. It forces you to stop and think about your life choices and then wonder, "How did I get here?" or better yet, "How does your garden grow?"
The brainchild of songwriter and keyboardist Andy Krissberg, Family Worship Center transports listeners back to the '70s with their psychedelic sound, rife with influences from gospel and Southern rock, as well as giants such as Leon Russel, The Band, Fleetwood Mac, and more.
The band is described as a "rock-and-soul commune" that "draws its name from a strange, cult-leaning text unearthed during a cross-country field recording journey."
Reveling in the secular, Family Worship Center's songs center on the conundrum of religion, the South, and this strange life as we know it. Many of the songs come from Krissberg's own experiences and his dedication to experiencing and professing the power of the GROOVE.
Well, Family Worship Center is achieving their mission so far.
For more information about Family Worship Center, visit their official website at worshipthefamily.neocities.org.
They are also on Bandcamp and Instagram.
Family Worship Center's Only Visiting is set to be released on June 12th, 2026, from CorpoRAT Records.
Ani jan is Part of Seattle's Heartbeat
Up-and-coming musician Ani jan discusses her debut album "Heartbeat of the City," her Armenian roots, trip-hop, and the meaning behind "seeking the wound."
Ani jan is an up-and-coming musician and poet who exists in a liminal space. An Armenian immigrant who relocated to the States as a teen, Ani jan has been defining the meaning of Heartbeat of the City, through a thoughtful and emotional album that explores lineage, heartbreak, and the inner self.
A multi-hyphenate artist, Ani jan fuses poetry, Middle Eastern, grunge, and trip-hop notes to craft something special. Citing inspirations such as LAMB, Massive Attack, Tricky, Portishead, and more, Ani jan is finding her place in the new trip-hop zeitgeist.
In our discussion, Ani jan informs me of the meaning behind her name, lists her numerous rich musical influences (including local peer inspirations), gives her thoughts on the state of the current Seattle music scene, and details the experiences that led to creating Heartbeat of the City.
Ani's response to my question on how other people can find their own "Heartbeat of the City":
I think really sitting down with yourself and seeking the wound. I think most people try to turn that part off of themselves, not delve into their deepest wounds, but kind of avoid those areas, very gingerly sidestep their biggest wounds.
I feel like it's important at some point to delve into those things and reframe them and gain power again. And sometimes that means going back into the situation and getting angry when you weren't allowed to the first time, or getting sad for yourself and really feeling out those emotions. I think that's part of finding the Heartbeat of the City. I think everybody's Heartbeat of the City is a little different.
But one thing that is true for all of us is that we're all here. We're physical, whatever mental state we're in, whatever emotional state we're in, as long as you're still physically alive, still physically breathing, hope is not lost. It's like as long as your heart is beating, hope is not lost. If that's literally the only music left, there is still a heartbeat.
For more information about Ani jan, visit newfairyorder.com. She is also on Instagram.
Listen to the full interview below (at the 30-minute mark).
Alison Braun is Still as Punk as Ever
In the first interview for Vinyl Apothecary, photographer Alison Braun talks about growing up in LA, shooting punk history, and the camera as intrument.
Alison Braun always knew she was shooting something special when she started photographing many of the punk bands on the Sunset Strip in the '80s. Dead Kennedys, Black Flag, Discharge, D.O.A, Social Distortion, and so many more up-and-coming bands at the time all exist on Braun's film rolls in vivid black and white.
Later on, Alison relocated to Seattle and immediately began shooting the exploding music scene. Some of the notable bands she captured were Alice in Chains, Soundgarden, Mookie Blaylock (before they became Pearl Jam), and Forced Entry.
Her images serve as an archive of rare moments in music history that are still beloved the world over and may never be duplicated again. However, punk has never left, but Alison says she is not seeing enough anger in her current punks and hopes to see more. After all these years, she is still as punk as ever.
Still an active photographer in Seattle and elsewhere, Alison has never shied away from getting right into the action in the pit. Her photos are chaotic and intimate, showcasing her subjects at their most vulnerable and powerful moments on stage. Currently, the photographer declares Seattle's El Corazon as another home. She regularly shoots metal, punk, and hardcore shows there.
Alison was the first interview guest on Vinyl Apothecary. In our chat, we discussed LA beginnings, her transition to the Seattle scene, the camera as an instrument, her advice to young female photographers, and current music recommendations.
It's about taking pictures. And I have tried for four and a half decades now to make sure people first see the camera and see me as an artist and not as a little girl, a woman, an old woman. I try to not be the story. And that's kind of how I've always lived.
For more information about Alison, visit her official website at alisonbraun.com.
Listen to the full interview below (at the 30-minute mark).
Gretta Seabird Debuts New Single 'Goodbye for Now'
In "Goodbye for Now," dreams become a haunting reality. However, Lee McDonnell and Jeremiah Brunnhoelzl reveled in the small joys during their recording sessions.
Saying "goodbye" is never easy, but Gretta Seabird reminds listeners that "it's gonna be fine" after it's all said and done. The Portland and Brooklyn-based duo's (Lee McDonnell and Jeremiah Brunnhoelzl) new single, "Goodbye for Now," is a balm for those enduring tough times. It's also "hello again" from McDonnell, who has returned to singing after losing her singing voice for over a year.
"Goodbye for Now" is the fourth release from Gretta Seabird's upcoming EP Cycling. It acts as a companion piece to the EP's title track. While "Cycling" tackles McDonnell's feelings following a positive pregnancy test, "Goodbye for Now" deals with the emotional toll of her miscarriage. The song itself is a path toward healing, and according to McDonnell, “Even though it was a difficult experience, music has pulled me through in ways I could not with just talking.”
In "Goodbye for Now," dreams become a haunting reality. However, McDonnell and Brunnhoelzl reveled in the small joys during their recording sessions, and it shows in their latest work. Reality is filled with big moments of loss and sorrow, but it still takes time to celebrate life and instances when everything comes full circle.
McDonnell's soothing voice compliments "Goodbye for Now's" catchy lyrics. And Brunnhoelzl's energetic chords make for a song that's easy to member when you're feeling down. Described as "sparkly folk pop," Gretta Seabird's music is poignant and uplifting.
"If you can end the cycle with just one word, I think we'll all be fine. I'm gonna be fine... gonna be fine."
"Goodbye for Now" is now available on all major streaming services as of June 19th.
Greta Seabird is also on tour this summer. For upcoming tour dates, visit gretaseabird.com/shows.
Brittany Davis's 'Black Thunder' is a Powerful Musical Offering
Described as a vessel of sound and channeler of music, Brittany Davis has released 'Black Thunder,' an album that doesn’t just pay homage to Black lineage, but channels it with raw urgency and spiritual clarity.
“Ancestor veneration” has become a rising phrase in the public consciousness. What exactly does it mean? It's a concept that is not always simple to define. In layman's terms, it's about honor. However, honor's definition is whatever the person defining it chooses it to be.
In a time where Black art and accomplishments are under constant threat of being erased and challenged, it's always crucial to "give people their flowers," so to speak. And some contributions deserve an entire garden.
Now, Seattle-based artist Brittany Davis has emerged with a musical offering of her own. Described as a vessel of sound and channeler of music, Davis has released Black Thunder, an album that doesn’t just pay homage to Black lineage, but channels it with raw urgency and spiritual clarity. It's an album that's arrived at just the right moment.
A stripped-down evolution from her 2024 debut Image Issues, Black Thunder acts as a new sonic film, interlacing thought-provoking music with brief, yet haunting interludes titled “Ancestors” that root the listener in Davis’s inner world. Throughout the album, Davis channels her predecessors and also opens up about being a Black, blind, and non-binary artist navigating this complex world. As earlier described, Davis has the ability to paint with sound on a canvas that depicts her life. Image Issues was the first canvas. Now that Black Thunder is completed, it exists as a full tapestry of colorful storytelling and honesty.
The result is less a traditional album and more a manifestation which occurred at Studio Litho (located in Seattle) with Davis on keys and vocals, Evan Flory-Barnes on bass, and D'Vonne Lewis on drums. The trio's creative synergy, one that's rare to behold, is polished and showcases three musicians at their best. Flory-Barnes and Lewis are the key ingredients that created the album's jazz direction. For Black Thunder, Davis's sound is reminiscent of Nina Simone, Roberta Flack, and Rahsaan Roland Kirk. Additionally, Davis allows her skills on the piano to shine even brighter on her latest effort.
Black Thunder was produced by Josh Evans and released by Loosegroove Records.
With full creative support, Davis has emerged with a musical behemoth. With 17 tracks, Black Thunder is an odyssey of sound. "All That You Get" leads the adventure, with a song that discusses racial disparities and how in life you often "get what you get."
"Amid the Blackout of the Night" follows an "Ancestors" interlude and is a major centerpiece of Black Thunder as album's lead single. In "Amid the Blackout of the Night," Davis contemplates the existence of the cosmos and all of its various components such as the moon and the stars. The song is also a call to not get too distracted by beauty that you miss the substance beneath.
The title track fuses spoken word and is spiritually resonant. The heartbeat of the album, "Black Thunder," pours out ancestral pride and charts a path to brighter horizons. However, Black Thunder allows Davis to go back and forth between prideful and pensive as she transitions to "Change Me" and "Girl (Don't You Know)," two entries that vulnerably display some of Davis's challenges.
Tracks such as "Black Thunder" carry a more traditionally revolutionary tone, but what's also revolutionary is the ability to be honest. As Black artists, we are often expected to constantly be strong and inspirational, but we need to remind others that we are also... human. Davis's candor only strengthens her body of work. She continues to remain uplifting, but still allows listeners behind the curtain from time to time. Acknowleding the struggles is what leads to breaking generational curses.
Like the weather itself, Davis, Flory-Barnes, and Lewis change temperature. At times, they play low and slow like a steady trickle of rain ("Amid the Blackout of the Night"), then a tropical storm ("Black Thunder"), then they become a ferocious hurricane ("Sarah's Song"). Overall, Black Thunder is a unique and powerful listening experience.
"Sun and Moon" bookends Black Thunder with a celebration of life and the world that surrounds her. While earlier, Davis seemed more contemplative, at the end, Davis expresses gratitude. In a conversation I had with Davis, she mentioned that connecting with others through her music is what brings her light.
There's a light that's generated. When I'm able to hear stories and feel those stories happen right in front of my eyes or right in front of my senses, I should say, those lights, it's like a strike. It hits me directly in the heart. Where the light turns on, for once I can see. For once I know I'm doing my job. I'm not in the dark because I have the light of knowing that somebody, somewhere was impacted in a positive manner by something that God blessed me with to give. That's the light for me. It's not the sun...
Black Thunder is now available on all major streaming services as of June 13th. The vinyl LP is available to purchase via Bandcamp, through the official Loosegroove Records website, and through most local record stores.
Additionally, Davis will celebrate the release of Black Thunder with two events:
- June 14th at Easy Street Records, 7:00 p.m. (FREE)
- June 17th at The Rabbit Box, doors open at 5:00 p.m. Reception begins at 6:00 p.m., followed by live music at 7:30 p.m. ($18 - Tickets HERE)
Read the review for Brittany Davis's Image Issues.
King Youngblood Debuts First New Music Since 'Big Thank'
King Youngblood is ready for a new chapter with the release of "Garden of Conviction," a rousing anthem that encourages people to be the change they want to see.
King Youngblood is one of the most interesting bands in the Puget Sound area. Since I first saw them at last year's Black and Loud Fest in Portland, I was blown away. Lead by vocalist and guitarist Cameron Lavi-Jones (who also founded Black and Loud Fest), and including Samy Garcia (bass), Chet Peterson (cello), and Paul "Styqx" Stoot (drums), King Youngblood is ready for a new chapter.
This week, King Youngblood released their first music since the 2021 album Big Thank. The new release is a song entitled "Garden of Conviction," featuring Justin Harden.
"Garden of Conviction" is a rousing anthem that encourages listeners to be the change they want to see. King Youngblood has been known for their combination of rock and activism, so the band's new music comes as a direct result of the country's current political climate. Through his lyrics, Lavi-Jones encourages mobilization, but maintains an optimistic outlook that the younger generations are going to be alright.
In an interview with KUOW, Lavi-Jones states that the summer of 2025, is the summer of "activation." He continued, "A lof of the music I am trying to make and work on with King Youngblood is trying to shake people from being passive to everything's that's going on. I think all of us are distinctly aware about how the world feels like it's on fire right now. But I think that in all the music I am listening to and all the music I am trying to make, there's an element of trying to get people to re-engage with their spark, to rethink about what they can do to be a part of things and to be hands-on with the changes they want to make."
"Garden of Conviction" has already ignited what already seems to be a powerful summer.
"Garden of Conviction" is now available on all major streaming services as of May 30th.
Additionally, King Youngblood is touring this summer. For upcoming tour dates, visit the band's official website at KingYoungblood.com/tour.
Fotoform's 'Grief is a Garden (Forever in Bloom)' Shines On
'Grief is a Garden (Forever in Bloom)' is a lullaby for the broken. Meloncholy, but not morose, Fotorm's latest release is one that gives way for those uncomfortable emotions, but allows them a space to grow into something beautiful.
While dealing with my own set of losses, something I learned is that grief is not what defines us, but what defines us is what we choose to do with that grief. My relocation to Seattle has been an excercise in turning my losses into something more, something good, something joyous.
The phrase "in bloom" is one that has carried a huge significance in my life. In recent weeks, I have thought of that very thing that culminates my work, and I came to the conclusion that I am always in bloom, constantly a work in progress.
Naturally, when I saw the title of Fotoform's new album, I was immediately intrigued. And when I listened to it, I was even more hooked. Birthed from the band's own experiences, Grief is a Garden (Forever in Bloom) is a lullaby for the broken. Meloncholy, but not morose, Fotoform's latest release is one that gives way for those uncomfortable emotions, but allows them a space to grow into something beautiful.
Fotoform is made up of Kim House (vocals, bass, synth, guitars) and Geoff Cox (guitars). For Grief is a Garden (Forever in Bloom), the band is also joined by drummer Michael Schorr (Death Cab for Cutie). The third effort from the group, Grief is a Garden (Forever in Bloom) takes on a heavier mood, yet more layered sound following their 2021 album Horizons. Skillfully blending post-punk, darkwave, shoegaze, and dream pop, Fotoform creates haunting, yet cinematic and textured fare that has earned much critical praise over the span of their career from the likes of NPR, KEXP, and more.
Although it was proclaimed a difficult album to make, House declares the process of creating the release saved her life. Speaking from personal experience, sometimes channeling our grief into our art is what can keep us going. And creating that art can be the very thing that saves someone else's life.
The album opens with "This City is Over," a poignant call to reconnect with ourselves, our values, and our priorities," according to House. It's a fitting introduction to the listening experience, which asks the audience to cast unimportant things aside and look within. Deeply personal, "This City is Over" resonated with me as someone who relocated for a new life and to leave a toxic career behind. From the first note, House's vocals lure listeners in and take root in your brain.
Later on, the title track is a beautifully existential song from start to finish. Marrying hypnotic synths and a steady bassline, "Grief is a Garden" is the best of the trio's talents. It runs home the theme of the album, "Waves keep crashing unforseen, losing someone is not what it seems,"..."Grief is a garden forever in bloom deep inside."
The rest of the album is equally as pensive, with songs such as "If You Knew/Don't You Worry, Baby" which ponders, what would happen if you knew your fate? Would your approach to life be any different?
Grief is a Garden (Forever in Bloom) ends with "Settle Down," another call to action that neatly ties the album's premise. While it is OK to mourn, Fotoform crafts a feeling of peace with where life is headed. Things may fall apart, but it's OK to rest and settle down. "When things come undone, you shine on... like a beacon before the tide..."
Following a tour in Europe, Fotoform held their homecoming show at the Tractor Tavern in Seattle. A special event hosted by KEXP, the show also included a space for attendees to write the names of lost loved on pieces of seed paper, which will be planted shortly after. I wrote down the name of my grandfather, who passed away in November. I also wrote, in a vague way, about letting go of my life before Seattle and the need to still chase the "Why?"
Now that I am trying to put a stop to asking why certain things happened, I realized it's important to continue asking, "How?"
How can I use my grief and make the world I live in just a bit better?
Fotoform's Grief is a Garden (Forever in Bloom) is available on all major streaming services as of April 18th. The vinyl LP is available via Bandcamp.
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Sea Lemon Wins With 'Diving for a Prize'
Sea Lemon's debut, 'Diving for a Prize,' is an audio dreamscape that infuses the personal experiences of Natalie Lew to create what perhaps may be the next soundtrack for your life.
Why not loosen your tie for the park?
Shoulder some of the weight later on?
Outside people are screaming for something
Don’t stare into the corner for far too long
Sit, relax, and take a deep breath. Natalie Lew, the voice behind Sea Lemon, not only commands your attention, but has the ability to soothe your soul. Sea Lemon's debut, Diving for a Prize, is an audio dreamscape that infuses the personal experiences of Lew to create what perhaps may be the next soundtrack for your life.
With a superior production quality, Diving for a Prize is the ideal summer listen. The sound is that of a beachside adventure, where you can feel the sand between your toes, and the washing of waves across your body. Diving for a Prize is a culmination of a life lived by the ocean, and one raised in the Pacific Northwest. Crafted from eight months of songwriting and studio sessions with collaborator Andy Park (Death Cab for Cutie), Diving for a Prize is a stunning introduction. The dream pop album was released by Luminelle Recordings.
Sea Lemon describes Diving for a Prize as a "series of vignettes" from her life. The first vignette, "Thought for You," references unsolicited feedback and trying to figure out what to do with it. The artist pairs pensive lyrics with playful riffs, which continues throughout the album. Overall, Diving for a Prize is cohesive from start to finish.
One of my favorite songs of the release, "Stay," is a call to rest amid the chaos. A perfectly meditative song, "Stay" is a welcome urge to stand still (coming from an anxious person, this song was a Godsend).
On Instagram, Lew has kept things personal. Online, she is posting track by track, what all the songs on Diving for a Prize mean to her. Each entry has its own backstory, similar to an audio diary. About "Change Your Face," she explained, "you ever change your mind from absolutely hellishly depressed to totally cool? me too. That's what this song is all about! It's about that being ok! Being like 'I'll never move to LA' and then moving there months later, and that being normal! Change your mind! But also, I get your plight 😶Have you ever changed your mind and done a 180 on something completely??? Tell me."
There are no skips on this album. Other notable tracks are "Give In," "Sweet Anecdote," and "Cynical," which was recently featured in an episode of Grey's Anatomy. "Cynical," although with a fun and bubbly beat, cleverly masks... well, cynical lyrics.
"Crystals" and "In the Flowers" round out Diving for a Prize. "Crystals" features vocalist and guitarist Benjamin Gibbard (Death Cab for Cutie, The Postal Service) on a melancholy duet that showcases the power of letting go. Lew and Gibbard fit together sonically, creating a hauntingly beautiful song. "In the Flowers" is a bit more upbeat, but still leaves the listener longing.
Diving for a Prize as far as music goes, is a winner. Deeply introspective, Sea Lemon shows she is committed to diving deeper into the depths of her artistry. Here's to hoping that she continues to rise to the surface. Sea Lemon, I've got a thought for you, "You're doing great."
Sea Lemon's Diving for a Prize is available on all major streaming services as of May 30th. The vinyl LP will be available on June 13th via Bandcamp.
